The electronic music duo constructed a mausoleum out of melodies on the spellbinding single, the titular track from their third album.
This Bliss’ album, Grave of Sound, arrived in late-2025 as proof that the duo finally stopped trying to fit into categories that were never built for them.
Case in point was the album’s unique titular track, which delivered an eerie, ethereal arrangement where vocal samples inspired by Palestrina and Byrd get chopped into digital fragments on a Roland SP-404. What started as studio experimentation became a meditation on artistic mortality, the kind of song that asks whether making art is a calling or just an elaborate way to dig your own creative tomb.
Lyrically, the song wrestles with a classic artist’s paradox: you spend your life creating sounds that will outlive you. “Here is my grave of sound” lands harder than it should, probably because it refuses to resolve the tension between devotion and doubt.
Awash in a haze of reverb, the production walks a clever line. Nick of This Bliss layers analog warmth throughout, creating space that feels cavernous without swallowing the vocals. Meanwhile, vocalist Jess stacks harmonies that interlock with a spellbinding touch.
The track is also a personal milestone for her, according to a press release. Grave of Sound represents Jess’ “most self-assured vocal performance to date and marks a turning point in her relationship to her own voice.” She described the album’s recording process as “liberating,” a step that enables her to explore new genres and styles without hesitation.
You can listen to “Grave of Sound” below and stream the full album here.
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