Keira Knightley Styles Wintery Skirt Suit for Erdem Fall 2026 Show

Keira Knightley joined the ranks of Erdem‘s A-list front row attendees in a winter-inspired skirt suited look for the London-based label’s fall 2026 show during London Fashion Week on Sunday.

The two-time Oscar-nominated actress embraced seasonal fabrics, wearing a wool skirt and jacket with blazer details. Both the skirt and jacket were designed with black and white fabric at the fore, though the skirt featured a black and white checkered pattern with a slight ruffle and the jacket included more intricate weaving throughout.

Juxtaposing the straight silhouette of the skirt, the long-sleeve jacket featured waist pockets and fringe material at the end of the sleeve cuffs. Underneath her jacket, Knightley put a modern spin on the classic dress shirt, with light fabric and layering.

Finishing touches for Knightley’s look included a small black handbag and a pair of pointed-toe black heels. Makeup and glam took a minimalist approach, with the “Pride & Prejudice” actress’ bob styled with a middle part and choppy layers. Her makeup included bold brows, lightly lined eyes and a neutral pink lip for added softness.

Knightley’s front row seatmates for Erdem’s fall 2026 collection show included Oscar-winning and -nominated stars like Helen Mirren and Glenn Close.

Founder and designer Erdem Moralıoğlu curated a collection that paid homage to his eponymous label’s 20th anniversary. “His resilience, consistency and unique design methodology are a source of pride for a beleaguered London Fashion Week — and still a feast for the eyes,” Miles Socha wrote in WWD’s review of the collection.

“Moralıoğlu called his collection ‘Impossible Conversations,’ cueing up a freewheeling raft of references and the colorful historical figures that have inspired past Erdem collections,” Socha wrote. The collection also incorporated historic muses, which Moralıoğlu took as inspiration for designs and the overall aura of his fall 2026 collection. “What would happen if all of these women spoke to each other, the kind of dialogue between Maria Callas and Radclyffe Hall, or Duke Ellington and Marianne North?” Moralıoğlu said, per Socha’s review. “I liked the idea that it was, for lack of better words, this kind of mashup and dialogue between all of these muses.”