Emma Corrin has starred in some of modern cinema’s greatest box office successes. Emma Corrin’s film career is a study in contrasts. After earning widespread acclaim in television, notably in The Crown, Corrin transitioned into movies that range from intimate dramas to gothic horror and billion-dollar spectacle. While critical recognition has followed Corrin consistently, their theatrical box office results vary dramatically.
Corrin has also appeared in three major streaming films, Lady Chatterley’s Lover, Good Grief, and My Policeman. As these were released via Netflix, those titles do not have traditional box office totals and are therefore excluded here. This ranking focuses solely on Corrin’s four theatrically released films with reported global grosses.
100 Nights Of Hero (2025) – $433,814
At the bottom of the ranking is 100 Nights of Hero, which earned $433,814 worldwide. The stylized fantasy drama is adapted from Isabel Greenberg’s graphic novel and unfolds as a story-within-a-story set in a mythic medieval world. The plot centers on Cherry, a woman trapped by marriage.
Cherry must resist the advances of a predatory man wagering that he can seduce her within 100 nights. To stall him, her devoted maid Hero tells spellbinding stories designed to delay and outwit the threat. Corrin plays Hero, the quick-witted storyteller whose intelligence and emotional depth drive the narrative framework.
Rather than playing a traditional action heroine, Corrin anchors the film through performance and presence. They expertly navigate layered tales that explore romance, power, and sacrifice. The film’s limited theatrical rollout and arthouse positioning kept its commercial ceiling low.
However, its visual ambition and queer reimagining of medieval folklore underline Corrin’s willingness to take creative risks. While it ranks last financially, 100 Nights of Hero received almost universal praise. It highlights Corrin’s commitment to bold, unconventional material over mainstream guarantees.
Misbehaviour (2020) – $2,014,253
With $2,014,253 worldwide, Misbehaviour claims the third spot. The historical comedy-drama recounts the real-life disruption of the 1970 Miss World competition in London, when the Women’s Liberation Movement staged a protest against the event’s objectification and lack of representation. The film weaves together the perspectives of activists and contestants, exploring feminism, media spectacle, and generational divides.
Corrin has a minor role as Jillian Jessup, Miss South Africa in the competition. Jillian initially appears as a conventional beauty pageant participant but gradually becomes emblematic of the limited roles available to women at the time. Corrin portrays her with quiet nuance, capturing both vulnerability and dawning awareness as the protest reframes the pageant’s cultural meaning.
Released during a turbulent theatrical period, Misbehaviour faced significant distribution challenges. Still, its modest earnings align with expectations for a mid-budget British ensemble drama. For Corrin, the film marked an early feature role that reinforced their ability to inhabit period settings and socially conscious narratives with authenticity and emotional restraint.
Nosferatu (2024) – $181,805,645
A dramatic leap in commercial scale comes with Nosferatu, which grossed $181,805,645 worldwide. This gothic horror reimagining revitalizes the iconic vampire tale first immortalized in silent cinema. The story follows a young woman haunted by terrifying visions and pursued by the mysterious Count Orlok, whose obsession threatens to consume her and devastate her community.
Corrin plays Anna Harding, best friend to protagonist Ellen. Anna is not merely a passive victim; she is psychologically attuned to the supernatural menace long before others recognize the danger. Corrin’s performance leans into fragility and inner turmoil, grounding the operatic horror in raw emotion. Their portrayal transforms Anna into a moral and spiritual anchor amid creeping darkness.
Nosferatu’s box office success reflects the enduring popularity of elevated horror and gothic aesthetics. Strong international turnout and awards-season attention helped push Nosferatu far beyond niche horror territory. For Corrin, it demonstrated the ability to headline a genre film with both artistic credibility and mainstream appeal – a major step up from indie and ensemble projects.
Deadpool & Wolverine (2024) – $1,338,071,348
Towering above the rest of Corrin’s movies is Deadpool & Wolverine, which earned an astonishing $1,338,071,348 worldwide. As a high-profile Marvel Cinematic Universe installment, the film pairs the irreverent antihero Deadpool with the fan-favorite mutant Wolverine. It’s a multiversal adventure packed with action, meta-humor, and franchise callbacks.
The story revolves around reality-threatening chaos that forces unlikely alliances across timelines. Corrin plays Cassandra Nova, a formidable psychic antagonist drawn from Marvel Comics lore. As a villain with immense telepathic abilities and a chilling presence, Cassandra Nova serves as a cerebral counterpoint to the film’s chaotic humor.
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Corrin embraces the character’s cold intelligence and manipulative cruelty, crafting a performance that balances comic-book theatricality with unsettling menace. Each of their scenes are highlights in the narrative, notably skinning Chris Evans and mentally probing characters with her fingers. Crossing the billion-dollar mark places Deadpool & Wolverine among the highest-grossing superhero films ever made.
For Corrin, it represents a seismic commercial milestone. Transitioning from arthouse fantasy and historical drama to anchoring a Marvel blockbuster villain underscores extraordinary range. Financially, the gap between this film and the rest of Corrin’s theatrical catalog is staggering – but creatively, it reinforces their ability to thrive in both intimate storytelling and massive franchise spectacle.
- Birthdate
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December 12, 1995
- Birthplace
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Royal Tunbridge Wells, Kent, England, UK
- Height
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5 feet 8 inches
- Professions
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Actor