Monday, March 30

The AnOther Team Pick 26 Favourite Looks from the A/W26 Runways


Lead ImagePrada Autumn/Winter 2026 womenswear Courtesy of Prada

Katie Shillingford, fashion director

Prada, look 55 (seen above)

The Autumn/Winter 2026 Prada show is a styling masterclass as each look peeled another layer off featuring the wardrobe of dreams. I especially love these bloomers, the baggy embroidered socks and the boring grey – all perfectly Prada. 

Chanel, look 74 

This look is everything I want to be. I love the fantasy, the magical pastel, rainbow, metallic hair and the properness of the classic Chanel skirt suit but in chainmail.

Junya Watanabe, look 8

Sometimes during fashion weeks we see so much that things start to blend into each other, then comes an explosion like this Junya Watanabe show. I love the magpie-like bringing together of bits and bobs – shoes, hats, visors, bags – all collaged into one dress. Perhaps it seems unwearable on the catwalk but a trip to the showroom shows how clever the commercialisation is. As always, there are so many Junya pieces I want to be mine. 

Alexander Fury, fashion features director

Louis Vuitton, look 5

This entire sequence of patchwork dresses – some including more than 25 different fabrics – threw back to some of my favourite Nicolas Ghesquière collections from 20 years ago including a sweater from which we just shot for the Spring/Summer 2026 issue, on Pamela Anderson. I loved him owning his own past.

Alaïa, look 6 

In a time of much muchness, I loved that Pieter Mulier’s final act at Alaïa was to pare everything right back, in silhouette but material too. I love the humble feeling of this green cotton velveteen – a fabric Azzedine Alaïa loved – and the curved zipped details on the hips.

Prada, look 8

Miuccia Prada and Raf Simons’ Prada show – 60 looks, on 15 models – was a masterclass in design, and the mechanics of a fashion show. But this look is an entirely selfish choice: I desperately want this coat, to wear. Possibly even chicer when reversed (as you can) to wear the embroidery on the inside.

Rebecca Perlmutar, senior fashion editor 

Jil Sander, look 1

A perfect navy suit.

Saint Laurent, look 16

In another universe, this is the woman I’d like to be.

Issey Miyake, look 51

Issey Miyake is always one of my favourite shows. This sculpted bodice is incredible. 

Susannah Frankel, editor-in-chief

Phoebe Philo, look 14

Phoebe Philo’s sensitivity to the times is unprecedented. I appreciate the quietness of how she presents her clothes, which serves to emphasise just how remarkable and yet entirely relatable her work is, and always has been.

Givenchy, look 23

This season, Sarah Burton’s Givenchy evolved – this look has the grandeur of a 17th-century Dutch master painting, embedded in a modernist wardrobe. I love the headdress – a T-shirt in duchesse satin – and the eased drape of the crimson velvet. Also, a great pair of tailored trousers.

Comme des Garçons, look 1

I’m just going to quote Rei Kawakubo: In the end there is black. Ultimately black.

Precious Greham, fashion assistant  

Ferragamo, look 49

‘Golden lady’ – Stevie Wonder. 

Abra, look 18

There’s something romantic about this look. I love the layers and strong shoulders.

Fidan Novruzova, look 14

What I want to be wearing when I’m casually popping to the shops.

George Pistachio, content editor 

August Barron, look 16

I loved Benjamin Barron and Bror August Vestbø’s “prom in a gym hall meets 1970s princess” style outing. Sweeter, girlier ballgowns brushed up against more boyish counterpoints, like this look here. A chintzy puff sleeve on a sports jacket shouldn’t work, but it makes perfect sense in the August Barron cinematic universe.

Dior, look 1

I aspire to look pulled together while remaining, essentially, swaddled in softness – so Jonathan Anderson’s Dior struck a chord. This opening look set the tone for the collection: a soft, swooping silhouette, crisp white shirt, textured cardigan and a light, translucent high-waisted skirt. Glorious.

Oscar Ouyang, look 17

Oscar told me this season, “We do it for the girls and the gays.” As a card-carrying member of one half of that constituency, I was easily persuaded – particularly by this look: a scrubbed-up pyjama set (entirely wool) sharpened with a crisp cape-sleeve jacket. The thinking behind the collection as a whole was one last raucous celebration before dawn breaks – and, frankly, I’d stay for the afters.

Violet Conroy, deputy editor

Bottega Veneta, look 50

I want to be swaddled in this coat forever – comfort and gorgeousness in equal measure. 

Eckhaus Latta, look 22

I love Eckhaus Latta’s ethos of making real clothes for real people. There’s a straightforward coolness and sexiness to the New York label’s designs, exemplified in the simplicity of this look. 

Simone Rocha x adidas 

Simone Rocha took her ballet flats to the next level this season with her first-ever adidas collaboration – so beautiful. 

Rose Dodd, editorial assistant 

Marni, look 2

What a debut from Meryll Rogge. So Marni and yet so new. Black, red, grey, more black.

Valentino, look 22 

I’m a big fan of dissonance and the unepected analogous turqouise and lilac, the burnt orange rockstud heels; a floral dress, technically speaking, with a feathery neckline. 

Bryanna Kelly, photographic producer

Comme des Garçons, look 2

The most beautifully ruched silhouette. Rei Kawakubo has outdone herself once again. 

Aisling Camps, look 17

As another STEM graduate turned fashion girl, I can appreciate how the nuances in Aisling’s engineering background inform her design. It’s clear she understands silhouette construction and texture – plus, any and all shades of green have my heart forever!

Torishéju, look 3

This is the type of suit that garners attention and respect.





Source link

Leave a Reply

Your email address will not be published. Required fields are marked *